Durham University
Programme and Module Handbook

Undergraduate Programme and Module Handbook 2014-2015 (archived)

Module MUSI2681: Russian and Soviet Music, 1890-1950

Department: Music

MUSI2681: Russian and Soviet Music, 1890-1950

Type Open Level 2 Credits 20 Availability Available in 2014/15 Module Cap None. Location Durham

Prerequisites

  • MUSI1261 Historical Studies 1

Corequisites

  • None.

Excluded Combination of Modules

  • None.

Aims

  • To offer a critical introduction to key developments in musical life in Russia/the USSR between 1890 and 1950.
  • To study thecreative achievements of significant composers during this period.
  • To deepen understanding of the relationship between musical creativity and the wider currents of artistic and intellectual life in Russia/the USSR, as well as the contemporary social and political context.

Content

  • The course will survey significant developments in Russian/Soviet music between 1890 and 1950, covering topics such as: composers of the Silver Age; musical life after the Russian Revolution; the emergence of a musical avant-garde; the increasing politicisation of musical life during the Stalinist era: music and Socialist Realism; music during the Zhdanovshchnina. It will build on the critical and analytical skills imparted in first year, and require the students to bring these to bear on a range of more sophisticated tasks.

Learning Outcomes

Subject-specific Knowledge:
  • Students will be provided with the opportunity to deepen their appreciation of the distinctive features of Russian/Soviet composition in relation to the social/cultural matrix from which it emerged, as well as to broaden their knowledge of mainstream repertoire.
Subject-specific Skills:
  • Students will learn to apply appropriate methods of assessment from a broad range of critical standpoints, notably the historical, cultural and political, drawing especially on hermeneutic methodologies which seek to elucidate the relationships between artworks and their social/cultural context. They will also become familiar with key works by leading scholars of Russian/Soviet music of this period.
Key Skills:
  • The ability to identify and conceptualise key issues in the study of music from this repertoire, situate ideas in context, engage in critically informed argument and apply appropriate analytical methodologies.

Modes of Teaching, Learning and Assessment and how these contribute to the learning outcomes of the module

  • The module will be delivered through lectures, listening group sessions, seminars, and one-to-one tutorials (the latter to provide feedback on formative work set to assist with the preparation of the summative projects. Formative assignments will be set in preparation for the summative tasks. The summative assignments will consist of two essays/analytical research projects.

Teaching Methods and Learning Hours

Activity Number Frequency Duration Total/Hours
Lectures 19 Weekly in terms 1 and 2 1 hour 19
Seminars 6 Three per term in terms 1 and 2 1 hour 6
Tutorials 2 Termly in terms 1 and 2 15 mins 0.5
Listening group sessions 15 15 hours spread over terms 1 and 2 1 hour 15
Reading and Preparation 159.5
TOTAL 200

Summative Assessment

Component: Essay Component Weighting: 50%
Element Length / duration Element Weighting Resit Opportunity
3,000 word essay-based research project 3,000 words 100% Yes
Component: Essay Component Weighting: 50%
Element Length / duration Element Weighting Resit Opportunity
3,000 word essay-based research project 3,000 words 100% Yes

Formative Assessment:

Preliminary formative tasks set in advance of each summative.


Attendance at all activities marked with this symbol will be monitored. Students who fail to attend these activities, or to complete the summative or formative assessment specified above, will be subject to the procedures defined in the University's General Regulation V, and may be required to leave the University