Durham University
Programme and Module Handbook

Undergraduate Programme and Module Handbook 2024-2025

Module MUSI2601: Advanced Historical Composition Techniques

Department: Music

MUSI2601: Advanced Historical Composition Techniques

Type Open Level 2 Credits 20 Availability Available in 2024/2025 Module Cap Location Durham

Prerequisites

  • MUSI1211 Musical Techniques

Corequisites

  • None

Excluded Combination of Modules

  • None.

Aims

  • To build on and develop first-year work in Historical Techniques of Composition; to provide students with the opportunity to gain a more advanced understanding of the harmonic vocabulary, styles and compositional techniques employed by composers working between c.1730-1920, as well as to undertake more complex and sophisticated tasks.

Content

  • The topics covered may include (but will not necessarily be restricted to) the following: (a) eighteenth-century harmonic counterpoint (including invertible counterpoint); (b) advanced chromatic harmony; (c) realisation of song accompaniments for keyboard in a variety of nineteenth-century idioms (from Schubert to Chaminade); (d) composition of short keyboard pieces or piano pieces such as mazurkas or ragtime compositions.

Learning Outcomes

Subject-specific Knowledge:
  • Students will acquire a more advanced theoretical and practical knowledge of harmony and counterpoint, as well as the ways in which composers employed these resources during the historical period specified. A particular focus will be placed on the systematic exploration of the resources of chromatic harmony.
Subject-specific Skills:
  • Students will develop a more advanced understanding of musical styles and an insight into the craft of composition during the historical period in question.
Key Skills:
  • Students will acquire a more sophisticated competence in advanced techniques employed by composers during this historical period, gaining practical experience through assignments in pastiche composition.

Modes of Teaching, Learning and Assessment and how these contribute to the learning outcomes of the module

  • The teaching is delivered through weekly lectures and regular tutorials/seminars. Students will be asked to submit formative exercises. The summative assessment will take the form of a portfolio of compositions such as might have been created by composers of the periods studied.

Teaching Methods and Learning Hours

Activity Number Frequency Duration Total/Hours
Lectures 10 Weekly during one term 2 hours 20
Seminars 4 During the same term 1 hour 3
Reading and Preparation 177
TOTAL 200

Summative Assessment

Component: Portfolio Component Weighting: 100%
Element Length / duration Element Weighting Resit Opportunity
A portfolio of compositions 100% Yes

Formative Assessment:

Formative exercises are designed to help students to improve their compositional skills step by step.


Attendance at all activities marked with this symbol will be monitored. Students who fail to attend these activities, or to complete the summative or formative assessment specified above, will be subject to the procedures defined in the University's General Regulation V, and may be required to leave the University